Working from his studio in the Blue Mountains, Shimeld fabricates large and medium-scale bronze sculptures alongside delicate wire-based wall works. These contrasting materials are in conversation: the bronze forms evoke weight and permanence, while the wire pieces suggest lift, movement and impermanence — hovering between drawing and object. Together, they reshape how space is perceived, activating voids, casting shadows and hinting at structures beyond what is seen.

Rather than resolving opposites, Earth and Sky reflects on their coexistence. It invites a contemplative encounter, where form becomes a threshold between the material and the immaterial, the earthbound and the infinite.